Rufus Wainwright

RUFUS WAINWRIGHT RELEASES MUCH ANTICIPATED ALBUM “UNFOLLOW THE RULES”

Wainwright says of the song, “My Queen moment? I wouldn’t go that far, but ‘Devils and Angels (Hatred)’ is the single and I think it’s an important song. It’s about what’s going on in the world today. We’re in the midst of a “war” that must be won and to do that requires a dog spirit, a triumphant attitude. The concept comes from an opera I saw in Italy with my mum many years ago–Gluck’s Armide, premiered merely 10 years before the French revolution. There’s an amazing scene where the main character has to summon hatred in order to save herself. She sings an aria and hatred rises. Of course, hatred isn’t great, but it’s not all negative. It is an energy required in battle. That’s my sister Martha Wainwright on backing vocals. All my albums have a Martha moment and this song required the big guns,” as for the video he remarks, “we shot the video on the last day before the lock down in California. I think it captures a little bit of that end of the world spirit that people felt when this happened.”

Wainwright’s ninth studio LP and first new pop album since 2012, UNFOLLOW THE RULES finds the artist at the peak of his powers, entering artistic maturity with passion, honesty, and a new-found fearlessness while remaining as creative, bold, and mischievous as ever. Produced by Mitchell Froom (Crowded House, Paul McCartney, Richard Thompson, Suzanne Vega, Randy Newman) at a variety of legendary Los Angeles studios – including Sound City Studios, United Recording, and EastWest Studios – the album serves as both bookend to Act I of an extraordinary career which, like Unfollow The Rules, began in the studios of Los Angeles, but also now as the first lines of a remarkable new chapter. Inspired by middle age, married life, fatherhood, friends, loss, London, and Laurel Canyon, songs like “Only The People That Love” and the spirited, symphonic “Hatred” find the gifted singer-songwriter ready to tackle new challenges, yet compelled to confront his past by making sense of how he has grown both as a musician and the contented family man he has become.

Wainwright tells us he originally wrote the song “You Ain’t Big” about the strange fact that “in the music business worldwide until recently (our estimation has fallen considerably) no matter how well you’ve done anywhere else, if you couldn’t make it in the heartland of the US you weren’t really considered a true star. Think Little Richard, Elvis, the Beatles, and Julio Iglesias. However, in releasing this song now which references states such as Alabama, North Carolina, Kansas (where I have had the pleasure of playing shows) and even New York and California, all troubled places during this tremendously turbulent time nationwide, the term “You Ain’t Big” has taken on additional meanings. The song at heart is apolitical. Its vintage sound harkens back to the classical American country music sound of the 40s and 50s and with the help of opposing images in the video of how different life was for white people compared to black people in the 1950’s, as it has sadly remained, I think it rings appropriate for this time and professes a certain truth.”

UNFOLLOW THE RULES has already been met with remarkable praise from some of Wainwright’s friends, fans, and fellow artists. “This is pop music on a grand scale; sweeping, symphonic, unabashedly emotional and fearlessly agnostic in style and delivery,” says Sting, while Cyndi Lauper described the album as “Rufus’ PET SOUNDS. It sounds like a culmination of everything he has done. It’s a great album, catchy and intelligent.”

An ingenious, compellingly charismatic live artist, Wainwright hopes to see his fans later this year on his epic UNFOLLOW THE RULES Tour. For scheduled dates and other information, please visit rufuswainwright.com/tour.